Pictures: 3.I.2010
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(21) Mipanas — mill is the low construction in the center (see also pict. 1, black circle) |
aceitero outside village | aceitero inside village |
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(22) Molino - viewpoint m | (23) front: entrance is at the right - vpt a |
The mill inside the village doesn't give its purpose away
from the outside. It's a two storey construction (22) which looks like a regular house —meaning
that the mill at hand is probably younger than the one outside. No provisions are made for a
huge cantilever press.
The bottom floor is the mill proper and the top floor looks like living quarters. Apart form a small spy hole (visible in 28 top right) there is no communication between both floors. The have a dedicated entrance each: at the center of the long side for the top (22) and in the short side (23) for the work floor. |
The short wall which formed the façade of the molino
collapsed and now blocks the door: not really a problem because the openings in the
wall are wide enough. It's already clear from the outside (23) that there are
two levels in the ceilings. The ceiling at the left is heightened to give the press
enough headroom. The floor at the right (23) above the door is much lower.
It is not safe to enter through the door, but the opening in the wall at the left is a good alternative if you tread carefully. The press (25) is the first thing you'll stumble upon and worth the effort on its own. |
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(24) interior - vpt b | (25) screw press - vpt h |
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(26) press - vpt f | (27) press - vpt e | (28) press - vpt d |
The press is mounted on an elevated part of the floor (24). This required adjustment of the ceiling above that section (25,23). That could have been avoided had the containers (30; 3 in drawing 37) which received the fresh oil been sunk into the floor. The bottom was perhaps too rocky to be hollowed out. | I've already explained that —apart from the small footprint— the big advantage of this type of press was that one person could run it alone. This was made possible because many turns of the wheel resulted in minute movements of the plate of the press. The reduction ratio is about 7 to 1 in the first step (28) and I presume that gears hidden in the head provide a much higher ratio. |
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Fundicion y Construccion D Maquinas M Rodon H° Zaragoza J M Rodriguez Lacomme Ingeniero |
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(29) label on the press |
The label of the press is most interesting (29). It is the first time we've found a press made by the Rodón company. Rodón —based in Zaragoza— was a contemporary of Averly and La Maquinista Aragonesa. The company was founded by the brothers Sebastián and Martín Rodón Serra (1862). | I've found a RODRIGUEZ LACOMME, Jose Ma. in the lists of industrial engineers graduated in 1876 at the Escola Técnica Superior d'Enginyeria Industrial de Barcelona. This probably gives us an earliest date of this specimen. |
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(30) foot of press with oil containers - vpt g | (31) mats for the press |
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(32) balsa - vpt k | (33) balsa - vpt l |
Deep in the room, at the far end from the door, is the crushing contraption situated (4 in the drawing 37). It is an elevated flat surrounded by a small gutter which widens into a box where the olive paste could be collected (32, 33). | A stone and a funnel (tolva) are mounted on a vertical axle (34). Olives where poured into the funnel. The small door with lever (35) regulated the flow towards the zone where they were crushed under the weight of the stone. |
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(34) balsa with tolva and ruello | (35) tolva with valve |
Several rods (mounted on the tolva, 34) kept the olives in the path of the stone. A small vane in the gutter pushed the paste to the collecting box. | The system is rather sophisticated and we've seen a similar tool in Troncedo. In many other mills the contraption used to crush the olives is much more primitive (e.g. Sieste, Trillo). |
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(36) storage - vpt c | (37) Floorplan with camera viewpoints (vpt) |
aceitero outside village | aceitero inside village |
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